History of Belly dance
The origins of Belly dance can be traced back to ancient
Mesopotamia, over 6000 years ago, with the Egyptians, Turks, and Phoenicians
all claiming the dance as their own. This dance originated to celebrate
the most festive occasions and soon spread to each region and village
which matured the dance and developed their own style. The movements and
vocabulary of Belly dance are a conglomeration of styles from many regions
as a result of cultural exchange historically through trade and shifting
national boundaries.
American Belly dance is unique because its present form has been shaped
by so many different cultural influences and traditions. It is constantly
evolving, as new dances are introduced to the community, and for this
reason it has remarkable variety. Today Belly dance is enjoyed worldwide
and is taught in almost every country. Enthusiasts pursue it for enjoyment
as exercise, recreation, and socialization. Many perform regularly as
amateurs or semi-professionals: Belly dance communities worldwide are
notable for their energy and enthusiasm in putting on collaborative performances,
workshops and other events. It is ironic that while traditionally Middle
Eastern women have been discouraged from pursuing an identity and career
as a Belly dancer; many Western women embrace it as a means of rediscovering
themselves and nurturing a stronger personal sense of self and empowerment.
Very often, people have inaccurate ideas about Belly dancing which has
been misaligned and associated with a sexual revealing of the body. Belly
dancing is not stripping. The Belly dancer does not remove her costume;
it is very much a part of the dance routine. A Belly dancer is proud of
her costume, and it is crucial to wear the most elaborate and elegant
dress to convey class and professionalism. All styles of Belly dance can
incorporate any number of props from swords and veils to flowers and baskets.
American Belly dance is the ultimate fusion of all forms of Belly dance
style.
| Dance Style |
Costume Style |
Origin |
Movement |
Cabaret |
sequins, beads, shiny coins, and shimmering accents |
folkloric routines |
body-centered shimmies, often danced in small spaces |
American Tribal |
heavily layered, long fringe, yarn tassels,
antique jewelry, elaborate |
folklore inspired fusion of ancient dance techniques |
improvisational, lead-follow performance within large group |
Turkish |
split skirts, high heels or platform shoes, Egyptian style costuming |
Karsilama rhythm |
large hip and body movements and full use of the stage |
Egyptian |
mermaid skirts, hip scarves with intricate beading |
celebratory dances |
tight and controlled, matching drum (or tabla) music |
Tribal Fusion |
modern fashion, fusing all styles of costume |
blend of contemporary influences |
traditional tribal moves performed at different tempos to electronic music |
Gypsy |
big flowing skirts, colorful scraps/scarves, noisy belts, heavy jewelry |
Indian, European, and Middle Eastern street dancers |
energetic, almost bouncy, often using tamberines to accentuate |